I highly recommend Elizabeth Marlowe’s review of the reinstalled Getty Villa, which was just published in theĀ American Journal of Archaeology. You may recall that before 2016 the galleries at the Villa were arranged thematically. Now, at the initiative of Tim Potts and Jeffrey Spiers, they are organized chronologically. Marlowe’s review, I think, considers the ramifications of this quite nicely, and generally articulates the strengths and weaknesses of the new galleries. She is especially critical of the lack of attention to provenance information on labels. Given the Getty’s track record, it is easy to see why this seems suspicious — what do they have to hide? But I can also say from experience that there is constant pressure to reduce verbiage on labels, and while provenance is certainly important, it is often the first victim of space considerations. At any rate, the review is a stimulating read, and I commend it to you all.